a Costa Rica Archaeology educational website by Michael J. Snarskis, Ph.D., published by McGuinnessPublishing McGuinnessPublishing   www.mcguinnesspublishing.us By Michael J. Snarskis, Ph.D., Archaeologist, The Tayutic Foundation Copyright Michael J. Snarskis - Portions Copyright © 2007-2008 McGuinnessPublishing - all other copyrights acknowledged - all right reserved worldwide & webwide A Costa Rican Archaeology Website for Educational Purposes free of charge
A McGuinnessPublishing Ancient America Website
Pre-columbian Artifacts from Costa Rica
ArchaeoCostaRica - An Introduction to Costa Rican Archaeology by Michael J. Snarskis In spite of its small size, Costa Rica can be divided into three general zones whose cultures produced artifacts of distinctly different styles, especially after c. 500 A.D. Natural boundaries, like the Cordillera Central and ... - click to continue Jointly published by Michael Snarskis & McGuinnessPublishing Costa Rica Archaeological Periods I-IV - 12,000 BCE (BC) - 500 CE (AD) Costa Rica Archaeological Period V - 500 CE (AD) - 1000 CE (AD) Costa Rica Archaeological Period VI - 1000 CE (AD) - 1550 CE (AD) The Exploration, Study, and Preservation of Prehispanic Costa Rica (formerly published as AqueoCostaRica.com) ArchaeoCostaRica Home Page


ArchaeoCostaRica.com MENU: Home ] Introduction To The Archaeology of Costa Rica ] Region: Guanacaste-Nicoya ] Region: Highlands-Atlantic Watershed ] Region: Diquis Delta ] Conclusions ] Terminology ] Archaeologists ]

Guanacaste-Nicoya

Period VI
(1000 - 1550 A.D.)
Guanacaste-Nicoya Periods I - IV ] Guanacaste-Nicoya Period 5 ] [ Guanacaste-Nicoya Period 6 ]


The trends in settlement patterns that begin in mid-Period V generally continue throughout Period Vl. Centers of population appear nearer the Pacific coast of the Nicoya Peninsula. The utilization of marine resources becomes increasingly important, while manos, metates, and similar ground-stone tools decrease dramatically. Archaeologists do not know if this indicates a drastic shift in agricultural systems and food-processing technology, if the associated tools began to be made mostly of wood (not preserved), or if they have simply not appeared in the small samples excavated so far

Data on house forms and sizes are still scanty, but part of one house, dating 1000 - 1300 A.D., was recently excavated by the MNCR at La Guinea on the Tempisque River. This structure was apparently ellipsoidal or rectangular, and 30-50 square meters in area. An unusual feature was the use of fired adobe blocks at intervals along the perimeter of the house, apparently placed to chock wooden poles in much the same way that river cobbles or field stones were used in other parts of Precolumbian Costa Rica; natural stone is scarce in the Tempisque drainage around La Guinea. Along one edge of the house, a large fragment of cane-impressed fired adobe was found, showing that the house walls were made of upright canes, c. 2.5 centimeters in diameter, lashed together with vines or ropes, and covered with adobe to a height of at least 50 centimeters. In other parts of the site, compressed sandy clay floors, with post holes, were found. The stratigraphy in the trench walls illustrated many prehistoric flooding episodes and, unfortunately, our excavation was destroyed by a modern flood before it was completed

During Period Vl, simple primary interments and multiple secondary burials were practiced. At Nacascolo, La Guinea, and other sites, dental mutilation, also observed in southern Mesoamerica, has been noted. Tomb structures may consist of a single, naturally columnar stone slab (a vertical marker) or a group of stones placed above (or single stones within) a burial, or may be unmarked pits. Ceramic grave goods of variable quality are usual. Long, triangular celts of chipped or polished stone have also been found in tombs; the chipped forms are probably tree-felling tools (almost identical versions come from the Atlantic Watershed), but the elegant polished examples suggest a ceremonial role. Many elaborate burials of this period have been looted; only one has been excavated by archaeologists. It contained the primary extended skeleton of a middle-aged male, surrounded by high-status polychrome pottery, a copper bell at his wrist, red ochre on the pelvis, and the skulls of six people of varying ages placed on his chest; their long bones rested nearby.

Early Period Vl corresponds to the last half of Middle Polychrome. There is an increasing emphasis on white-slipped polychrome pottery; new types like Vallejo, using blue-gray paint, and Mombacho, with underslip incising, incorporate Mexican-looking design elements. While the nature of this northern "influence" is not clear, there is reason to believe that the Postclassic Mixteca-Puebla expansion was instrumental in the dissemination of certain deity concepts and motifs. These and other white-slipped types concentrated in northern Greater Nicoya inspired somewhat inferior copies to the south, for example, Jicote Polychrome apparently manufactured along the lower reaches of the Tempisque River. Buff-orange-slipped polychrome types persist through at least the first half of Period Vl.

After c. 1150-1250 A.D., Papagayo Polychrome grades into the striking black and-red-on-white pottery called Pataky. This obviously elite-associated ceramic may have been manufactured as mortuary furniture. Its intricate, lacy black-on-white panels repeat unusual stylized jaguar motifs; the best-known vessels are modeled jaguar effigies, incorporating a pear-shaped container (cat. nos. 107, 108). The jaguar replaces the alligator (or crocodile) and the bat as the key animal figure in what are almost certainly mythologically symbolic contexts.

Two unusual ceramic types make their appearance rather late in Period VI. Murillo Appliqué is a glossy black or red pottery that features only modeled decoration. It has few antecedents in the region, and has been thought to indicate a late, undefined South American (or, at least, Atlantic Watershed Tropical Forest) influence. Unfortunately, it cannot be associated with antecedent pottery traditions either to the south or to the east. An even greater enigma is posed by Luna Polychrome. Its varieties of painted decoration, from "minimalist" patterns-with large, open zones of cream slip-to busy, honeycomb designs, resemble the Late Polychrome pottery made on Marajo Island, at the mouth of the Amazon River in Brazil. Luna is seen more often in southern Nicaragua, and has been found along with Spanish iron artifacts in burials. Was there a trans-Caribbean trading network that extended along the navigable San Juan River that divides Costa Rica and Nicaragua? Such a concept is not to be discarded out of hand, for Columbus described 40-man trading boats of the coastal Yucatan Maya plying the Caribbean coast of Central America in the early 16th century.

Prismatic blades of obsidian, while not numerous, are found in many Period VI sites. These are almost certainly trade articles from at least as far north as Nicaragua or Guatemala, for Costa Rican obsidian deposits are unknown. A more complex pattern of trade and technological diffusion is provided by metallurgy, which first reached Costa Rica from the south c. 500 A.D. Cast gold or tumbaga (a gold-copper alloy) artifacts are rarely found in Guanacaste-Nicoya, and it was thought that they were trade articles from Diquis or the Atlantic Watershed. Recently, however, Lange surface-collected a small, gold frog pendant, as well as a clay mold for a virtually identical, but different, piece at two different sites around Culebra Bay. Perhaps at least some gold work was produced in Nicoya. While copper artifacts were produced in the southern (Colombian-Panamanian) tradition, certain types of copper bells, occasionally found in northern and Central Costa Rica, are thought by some archaeologists to be products of the Mesoamerican trade network. One such bell (type IA3 in David Pendergast's classification) was found in the important Period VI burial at Nacascolo.

Crude, basin-shaped, stone metates have been found in a few sites of this period, but the ornate varieties seem to have declined or disappeared. Much of the columnar stone sculpture known from around Lake Nicaragua apparently can be placed in this time. Supposedly, similar sculptures were removed from the site of Nacascolo many years ago. Extremely crude versions of such statuary are still to be found there, and were also recovered by Baudez at the nearby site of Papagayo.

The first Spanish visitors to Greater Nicoya found large villages ordered around a kind of central plaza, which itself was bordered by residences and tombs of the ruling household. They recognized subsistence patterns (maize and beans), fragments of language, deity concepts, and even certain ritual activities (voladores, men suspended "flying" from a pole, and patolli, in which grains of maize were moved around a board according to throws of a die), similar to those previously observed to the north, in Mexico.

Next »

 


 

ArchaeoCostaRica.com
A Costa Rica Archaeology Site By Michael J. Snarskis, Ph.D.
[2] From: Between Continents/Between Seas: Precolumbian Art of Costa Rica Harry N. Abrams, Inc. Publishers; New York (1981)  All photos, unless otherwise indicated, by Dirk Bakker - Detroit Institute of Arts, Founders' Society - This Website Formerly Published From 1998 as AqueoCostaRica.com by Michael J. Snarskis, Ph.D. & James Kielland - All source content copyright Michael Snarskis
Published by
McGuinnessPublishing
The information presented is believed to be correct and accurate. However, please let us know of any errors.
This is a scholarly work for non-profit educational purposes.
Presented FREE to students, teachers & educators, and the public in the interest of developing awareness of the subject and in helping to preserve our common heritage.  Some content is public domain, some content used under "Fair Use" provision of section 107 U.S. Copyright Law.  Some content from third-parties.  All third-party copyrights acknowledged.  Sources credited where possible or known.  If we have not correctly credited a source - please let us know.
All Michael Snarskis proprietary content Copyright©1998 -2008 / Other content copyright © 2007-2008 McGuinnessPublishing - Unauthorized Reproduction Prohibited. All Rights Reserved Worldwide & Webwide.  All third-party trademarks & copyrights acknowledged.  Some content public domain. ArchaeoCostaRica & ArchaeoCostaRica.com are Trademarks of McGuinnessPublishing - All Rights Reserved

Please send comments to: wesayso @ mcguinnesspublishing . com

The Tayutic Foundation - Preserving Costa Rica's Past
[ Costa Rica's Tayutic Foundation ]